HIMHERANDIT Productions (DK)
Shroud
October 30st, 20:00 & November 1st, 2025, 16:00
PART OF THE GRIEF WORK SERIESS:
SHROUD is both a raw and personal reflection on love and grief and a dreamlike landscape of dark fantasy and haunting beauty. Shifting fabrics take shape inside rings of huge curtains to a deeply poetic and immersive experience. Reimagining the symbolic rituals of farewells to create a space where memory and love intertwine.
SHROUD: a cloth used to cover or wrap a body in death rituals, symbolizing concealment and transition.
SHROUD is a captivating visual theatre experience that explores love, memory, and transformation. Set in a dreamlike world, it brings buried emotions to life through stunning visuals, delicate gestures, and fluid stagecraft. The performance blurs the lines between life and afterlife, the real and the imagined, and creates a mystical space where sorrow and beauty coexist, and love guides us through profound change.
The performance reimagines the rituals of farewell, creating a space where love and memory intertwine in a dance of presence and absence. A deeply poetic and immersive performance which offers a rare, cathartic experience that reflects on the enduring power of love, loss, and the emotional landscapes we carry within us.
The evening’s programme:
Prelude – 20 min.
Transition – 10 min.
Performance – 50 min.
PRELUDE TO SHROUD (Part One)
Opening with an intimate prelude, “SHROUD” invites the audience into a deeply personal reflection on loss, memory and connection. Using footage from Andreas Constantinou’s own experience of his parents’ funerals, it explores universal themes of remembrance and the bonds we share and honor with those we’ve lost. Through stillness and contemplation, Andreas listens to the words spoken at the ceremonies in a beautiful moment of reflection.
SHROUD (Part Two)
In the second act, “SHROUD” transports us into a surreal landscape where memories and emotions take shape as mystical beings, emerging from shifting fabrics and ethereal light. Inside rings of giant moving curtains these magical forms guide us through a journey of transformation, where the extraordinary arises from our deepest feelings.
PLEASE NOTE: Strobe lights are used in the performance.
LANGUAGE:
The spoken parts are in English, while much of the performance is non-verbal.

“Shroud is a performance that takes its audience all the way through the stages of grief and back again. It’s an experience of true catharsis that leaves us in the audience recharged and with new perspectives on grief and love. We look forward to inviting new and old fans to Shroud again.”
– Creative and executive director Lotte Kofod Ludvigsen
Reviews
★★★★★★
“Shroud exposes the privacy of death, a masterful work of art that deserves a six-star rating. Thank you.”
– Kulturnyt (read the full review – in Danish)
★★★★★
“Makes it possible to physically feel the frustrations, grief and difficult emotions right up to the back row of the audience. There is nothing new in an artist using their own personal experiences and emotions in their work. But when it is done as powerfully as Andreas Constantinou manages in Shroud, it feels completely universal, and we understand why artists over the centuries have chosen this approach.”
– Iscene (read the full review – in Danish)
★★★★★
“Everything pulls us into a different universe. We are no longer in the theatre. We are somewhere between reality and the subconscious, a place where the many layers of grief unfold before us. Shroud is not just a show you see – it’s a show you feel! Constantinou and his artistic team manage to create an intense experience that leaves a lasting impression long after the play is over.”
– Ungt Teaterblod (read the full review – in Danish)
“On the one hand, the performance kept me in its own urgent and painful now, but at the same time sent me many other places along the way.”
– Peripeti (read the full review – in Danish)
Videos about the performance
ARTISTIC DIRECTOR
Andreas Constantinou about Shroud
THE TEAM
Why see the performance?
SHROUD Programme
A printed program has been produced for SHROUD that tells about both the performance and The Grief Works.
It can be purchased for 25 kroner at the Bora Bora box office. PLEASE NOTE! A limited number of copies are available.

THE GRIEF WORKS 2021-2025
In 2021, Andreas Constantinou embarked on a deeply personal and artistic journey following a series of losses. Over four years, he experienced the passing of the entire older generation of his family, including grandparents, aunts, uncles, and tragically, both his parents within the span of five weeks. His father died alone in a Covid-19 ward, while his mother succumbed to cancer in his care. This intense period of death, loss, and grief deeply influenced his life and art, ultimately leading to the creation of THE GRIEF WORKS 2021-2025 – a four-year artistic research project that delves into the themes of grief, death, and loss.
THE GRIEF WORKS: serve as an umbrella title for Constantinou’s four-year research project, which resulted in five distinct performance chapters.
- CHAPTER ONE: CHAMPIONS (2020)
- CHAPTER TWO: MY UNDYING LOVE (2021)
- CHAPTER THREE: CARCASS (2023)
- CHAPTER FOUR: SHROUD (2025)
- CHAPTER FIVE: DEATH IS NOT THE END (2025)
Each chapter delves into different aspects of grief, death, loss, and healing, reflecting the multifaceted nature of these experiences through varied artistic expressions. The four chapters are designed to engage audiences in diverse and meaningful ways, each addressing different aspects of death, grief and loss.
Each chapter presents a unique artistic experience: My Undying Love is an immersive theatre performance that invites the audience to embody the sensations of loss; Carcass is a dynamic physical theatre work on six dancers that challenges viewers to reflect on their values regarding life and death; Shroud offers a poetic, visual exploration of grief’s subconscious symbolism; and Death Is Not the End is a site-specific performance that collaborates with local communities to share collective stories of grief and healing.
This varied approach provides audiences with different entry points, allowing them to connect with the themes in ways that are both deeply personal and profoundly impactful.”
In today’s world, where conversations around grief are often stifled and avoided, this project is crucial. We live in a society where collective mourning is frequently pushed to the margins, and grief is often processed in isolation. Constantinou’s work creates essential communal spaces for open expression and shared healing. In a time marked by global loss—from the pandemic to ongoing social and political upheavals—the project offers a platform for confronting grief, fostering resilience, and reigniting the bonds of empathy and connection.
HIMHERANDIT Productions was founded in 2003 by British-born artist Andreas Constantinou and has been based in Aarhus since 2009. In 2012, the company established a collaboration with Bora Bora, who co-produces the innovative and bold performances that range from modern dance, physical theater to “live art” performances. HIMHERANDIT Productions is a house company at Bora Bora.
HIMHERANDIT Productions is a well-reputed company that both the press, the audience and theaters nationally and internationally keep an eye on. With a reputation for being “The cutting edge queer performance company in Aarhus”, they have attracted the attention of several European theaters and festivals that have shown their performances around the world. In both 2015 and 2016, the company’s performances were chosen by the European network of dance theatres, Aerowaves, to be among the 20 most exciting new performances in Europe.
The company aims to create space for the marginalized, despised, diverse and queer, bringing important topics such as gender, sexuality and identity into dialogue. They do this both through performances, art installations, workshops, educational programs, research laboratories and artist lectures to promote social change through art.
The company has been behind performances such as “My Undying Love”, “Champions”, “Mass Effect”, “WOMAN & WoMAN”, “GARDEN”, ”The WOMANhouse”, “ReDoing GENDER” and “The MANhouse” as well as a number of others. Not least, HIMHERANDIT Productions also organized The GENDERhouse Festival in Aarhus in 2018. The company has been nominated for four Reumert awards, most recently for “My Undying Love” in 2022, while the festival and Andreas Constantinou received the Aarhus Performing Arts Award ‘Applause of the Year’ in 2018.
Visit www.himherandit.com for more information, videos and tour schedule of upcoming performances.

Artistic Concept / Director /
Choreographer / Performer:
Andreas Constantinou
Collaborative artist / Dramaturgy /
Outside Eye:
Tone Haldrup Lorenzen
Scenography / Technical Manager:
Jeppe Cohrt
Video Design / Lights / Photography / Trailer:
Christoffer Brekne
Music & Sound Design:
Johannes Smed
Voice actor (Intermission & Meditation):
Zoe Mills
Producers:
Sigrid Aakvik, Art & About
Signe Sandvej, Art & About
Artists involved in early research period:
Magnus Pind (Video)
Tim Panduro (First Video Trailer)
Siri Knutsen (Rehearsal Director)
Anna Loft (Intern)
Co-producers:
Bora Bora – dans & visuelt teater
Funded by:
The Danish Arts Foundation
The City of Aarhus
William Demant Fonden
Augustinus Fonden
Danish Actors’ Association Production Support